#Fxhome hitfilm pro 2017 update#
#Fxhome hitfilm pro 2017 upgrade#

If you want to check out more about HFE, you can check it out at this link. Now keep in mind that Mocha HF is included in the Pro version, but just having the option to add it to the HFE is pretty awesome. Yep, that’s right, Mocha for HitFilm is $50. Want to have Mocha HitFilm tracking in HFE? No problem, $50. What I find very interesting about HitFilm Express (HFE), is that even with the free, stripped down version, you can purchase updates as you go. There is an Express (Free) version, and the Pro (Paid) version. With that being said, I should also point out that there are actually two versions of HitFilm.

#Fxhome hitfilm pro 2017 upgrade#

If you’re updating from a previous version of HitFilm, you can upgrade from HitFilm 4 Pro for $169 US. Professional 3 seat license – run on 3 computers simultaneously.What is that price, I can hear you asking in your head? Well for $299 US you get: Your one price gets you all the necessary updates. Doesn’t matter if they go through two major updates or just one. So with that, what Hitfilm has done is when you purchase HitFilm Pro 2018 (I know, I know, we’re not supposed to call it that), you get a year’s worth of updates. The issue you had before, much like with any “non-subscription based” software is that if you purchase a month before the newest version comes out, you’re out of luck with upgrading.

#Fxhome hitfilm pro 2017 update#

Now, it’s simply HitFilm Pro, and with that, a new pricing and update model. Last year’s HitFilm 2017 was the end of that. Let’s take a look and see what’s new! HITFILM PRO 2018 They have a new version of HitFilm Pro 2018 that just hit the internet, along with an update to their Ignite Pro plug-in line, and a new product called Action Pro. With a team as small as they are (they mentioned in their livestream they are a team of about 20), this is a pretty monumental task but one that, if you’ve been following them for the last few years, I think they might just be up for.

They are essentially taking on both Adobe and BlackMagic design, by attempting to give editors and compositors an alternative to doing their editing and graphics work in Premiere and After Effects and/or Resolve and Fusion. The HitFilm team have put themselves in a very interesting place. For me, it’s like the Little Engine That Could. I’m the first one to admit that I’m a fan of HitFilm.